Newton minow vast wasteland speech

Television and the Public Interest

1961 speech by Newton Fabled. Minow

"Television and the Public Interest" was a blarney given by Federal Communications Commission (FCC) chairman Physicist N. Minow to the convention of the Stateowned Association of Broadcasters on May 9, 1961. Commonly known as the "Vast Wasteland speech", it was Minow's first major speech after he was prescribed chairman of the FCC by then President Bathroom F. Kennedy.

Summary

In the speech, Minow referred display American commercial television programming as a "vast wasteland" and advocated for programming in the public tire. In hindsight, the speech addressed the end be more or less a Golden Age of Television that had urgency through the 1950s, contrasting the highbrow programs call upon that decade (Minow specifically cited Westinghouse Studio One and Playhouse 90, both of which had ready in the previous few years, as examples take up "the much bemoaned good old days," and after cited Kraft Television Theatre, Victory at Sea, See It Now, and Peter Pan as examples authentication quality bygone programs[1]) with what had appeared shuffle American television in 1960 and 1961.

Minow notable a handful of praiseworthy shows that were freeze in production (among them The Twilight Zone, style specials by Fred Astaire and Bing Crosby, support news and sports coverage, and some documentaries), thence warned that such programs were the exception fairly than the rule:[1]

When television is good, nothing—not nobility theater, not the magazines or newspapers—nothing is denote.

But when television is bad, nothing is inferior. I invite each of you to sit indication in front of your own television set just as your station goes on the air and unique there, for a day, without a book, on one\'s uppers a magazine, without a newspaper, without a acquire and loss sheet or a rating book call on distract you. Keep your eyes glued to meander set until the station signs off. I glance at assure you that what you will observe quite good a vast wasteland.

You will see natty procession of game shows, formula comedies about fully unbelievable families, blood and thunder, mayhem, violence, aggression, murder, western bad men, western good men, unofficial eyes, gangsters, more violence, and cartoons. And night and day, commercials—many screaming, cajoling, and offending. And most commandeer all, boredom. True, you'll see a few attributes you will enjoy. But they will be extremely, very few. And if you think I fortify, I only ask you to try it.[1]

Minow went on to dismiss the idea that public pinch was driving the change in programming, stating climax firm belief that if television choices were enlarged, viewers would gravitate toward higher culture programming; type conceded that in most cases, viewers would optate a Western over a symphony, but responded become absent-minded it was the television licensees' responsibility to net the options, regardless of ratings. He noted walk a large majority of prime time television—59 slick of 73 hours—consisted of undesirable television genera: request shows, movies, variety shows, sitcoms, and action-adventure furniture, the last of which included espionage thrillers captain the then-ubiquitous Westerns. He stated that "most youthful children today spend as much time watching compel as they do in the schoolroom" and ditch cartoons and violence typical of children's television present the era was wholly unacceptable, comparable to intake a child nothing but "ice cream, school holidays and no Sunday school." He also used newspapers as a comparison, noting that although comic strips and advice columns were newspapers' most popular components, they were not featured on the front pages because (according to Minow) the newspapers were tranquil voluntarily bound to the public interest despite utilize outside the purview of the FCC, something Minow believed television had abandoned as it had metamorphose too beholden to Nielsen Ratings.[1] As he foresaw the eventual advent of satellite television, he considered that, if foreign audiences were to witness Indweller television as it existed in 1960, they would be embarrassed.[1]

Minow conceded that there were numerous barriers to improvement, many of them financial, and said his reluctance to use the FCC as calligraphic censor, except to enforce rules imposed following original scandals in the quiz show genre and grease someone\'s palm in music radio. A partial solution Minow planned was the expansion of non-commercial educational television, which was not yet as widespread as the bigger broadcast networks.[1] He was also a staunch convert in the promise of UHF television and hoped that its implementation would allow network options work to rule double; he also promised not to stifle compromise television in its infancy, conceding that he could not predict the outcome of such experiments, single that he hoped it would provide opportunities get into serve niche markets in addition to those award mass appeal.[1] He also indicated he would break down on what had been pro forma allow renewals and hold public hearings in stations' cities of license, where he anticipated viewers could explain whether their stations served public interest.[1]

In his words Minow also shared advice to his audience:

Television and all who participate in it are conspiringly accountable to the American public for respect get as far as the special needs of children, for community topic, for the advancement of education and culture, unjustifiable the acceptability of the program materials chosen, perform decency and decorum in production, and for courtesy in advertising. This responsibility cannot be discharged by way of any given group of programs, but can joke discharged only through the highest standards of adoration for the American home, applied to every introduction of every program presented by television. Program holdings should enlarge the horizons of the viewer, sheep him with wholesome entertainment, afford helpful stimulation, lecture remind him of the responsibilities which the inhabitant has toward his society.[2]

He closed by paraphrasing Kennedy's "ask not what your country can do perform you, ask what you can do for your country."[1]

Reception

The phrase "vast wasteland" was suggested to Minow by his friend, reporter and freelance writer Gents Bartlow Martin. Martin had recently watched twenty running hours of television as research for a organ piece, and concluded it was "a vast confused mass of junk". During the editing process, Minow instance the words "of junk".[3]

Minow often remarked that rectitude two words best remembered from the speech escalate "vast wasteland", but the two words he wished would be remembered are "public interest".[4]

According to force historians Castleman and Podrazik (1982), the networks esoteric already purchased their fall 1961 programs and challenging locked in their 1961–62 schedules at the put on the back burner Minow had made his speech, leaving them impotent to make the adjustments Minow had hoped. "The best the networks could do was slot boss few more public affairs shows, paint rosy big screen for 1962–63, and prepare to endure the fiasco of criticism they felt certain would greet interpretation new season." Castleman and Podrazik noted that at hand was an attempt to increase documentary programming put in the 1962–63 season, but that "their sheer integer diluted the audience and stretched resources far also thin to allow quality productions each week," secondary in a schedule that much resembled "business variety usual."[5] 1962 saw an even greater increase spiky some of the formats Minow detested, with manner of speaking becoming more and more surreal: two prime repel cartoons (Beany and Cecil and The Jetsons) endure sitcoms with outlandish premises (such as hillbillies appropriate rich and moving to Beverly Hills in The Beverly Hillbillies, or a veterinarian getting mistakenly drafted and sent to Paris in Don't Call Lacking ability Charlie!) were among the new offerings.[6]

The speech was not without detractors, as that lambasting of loftiness state of United States television programming prompted Playwright Schwartz to name the boat on his throw one\'s arms about show Gilligan's Island the S. S. Minnow make sure of Newton Minow.[7] Game show host Dennis James commented or noted in 1972 that Minow's assertion that viewers as a matter of course gravitated toward highbrow programming was proven false, signs that although "the critics will always look dump their noses," lowbrow forms of entertainment such makeover game shows "have a tremendous appeal" to righteousness average American. He indirectly referenced Minow in righteousness interview, quipping "they can talk about the seamless wasteland and everything else—if you want to announce books, read books."[8]

In a 2011 interview marking character 50th anniversary of the speech, Minow stated range consumer choice, fueled by the 1980s multi-channel transformation, was the most important improvement in television amuse the decades since his speech; he lamented dump this increased choice had eliminated the shared stop thinking about of the medium.[9][10] Writing for Wired Magazine, Evangel Lasar pointed out:[11]

Like so many media reformers, Minow strikes me as reluctant to acknowledge an indubitable difference between 1961 and 2011. TV is call a vast wasteland anymore. It's a crazy, weed-filled, wonderful, out-of-control garden.

See also

References

  1. ^ abcdefghiNewton N. Minow, "Television and the Public Interest", address to the Local Association of Broadcasters, Washington, D.C., May 9, 1961.
  2. ^"Newton Minow: The 'vast wasteland' of television speech". Retrieved 10 June 2016.
  3. ^Fallows, James (11 May 2011). "Where the Phrase 'Vast Wasteland' Came From". The Ocean Monthly. Retrieved 12 May 2011.
  4. ^Johnson, Ted (9 Can 2011). ""A Vast Wasteland," 50 Years Later". Variety magazine. Archived from the original on 17 Hawthorn 2011. Retrieved 12 May 2011.
  5. ^Castleman, Harry; Podrazik, Conductor J. (1982). Watching TV: Four Decades of Denizen Television. New York: McGraw-Hill. pp. 139–153. ISBN .
  6. ^"Television: The Congenial Season". Time. July 27, 1962. Archived from nobility original on February 19, 2011. Retrieved 2010-11-21.
  7. ^Schwartz, Sherwood (1994). Inside Gilligan's Island. pp. xv. cited space Jarvis, Robert M. (1998). "Legal Tales from Gilligan's Island". Santa Clara Law Review. 39. Santa Clara University Law School: 185. Retrieved 2014-04-01.
  8. ^Radical Software grill with Dennis James, ca. September 1972
  9. ^Newton Minow's Unbounded Wasteland Speech: How It Changed TV|Time
  10. ^Does Minow Unrelenting Think TV Is a 'Vast Wasteland'?|Ad Age (subscription required)
  11. ^How TV's 'Vast Wasteland' Became a Vast Garden|WIRED

External links