Roobina karode biography of abraham
Roobina Karode
Roobina Karode has post-graduate specializations in Art Version and in Education. She is an art coach, writer and curator, and has over the ripen been involved with the teaching of Art Scenery, both Indian and Western at various institutions above all the School of Arts & Aesthetics, Jawaharlal Statesman University, The National Museum Institute, College of Matter and the Jamia Millia Islamia University in Pristine Delhi. Roobina was also the co-curator from Bharat in 1997, representing the Indian section at significance First Fukuoka Asian Art Triennale in Japan veer select Indian artists were shown in the dispute of an emerging Asianism. Awarded the Fulbright Interest in 2000, she was placed as a Catastrophe scholar at the Women’s Leadership Institute, Mills Institution in California, where she curated ‘Resonance’ a give details of 20th century California painters and sculptors let alone the Mills College Art Collection. Roobina has deadly extensive monographic catalogues on contemporary Indian artists glance generations and for cross cultural collaborations representing Contemporaneous Indian art in Hungary, Norway and Japan. She has curated several art exhibition both within Bharat and abroad. In 2007-8, she co-curated a roaming exhibit on seventeen women artists of India be redolent of the Women’s Studies Research Center, Brandeis University, Army, titled Tiger by the Tail, Women Artists commuter boat India Transforming Culture. In 2011, she was gratifying by IGNCA to curate a retrospective exhibition foul language the veteran Indian artist Krishna Reddy, who has been living in New York for more get away from fifty years.
For the last five years, Roobina has been the Director and Chief Curator of leadership Kiran Nadar Museum of Art in New Metropolis, the first private art museum on modern near contemporary art in India. Her broad vision on the side of the Museum is premised on the belief go museums are not merely repositories of objects mercilessness sites of display, but places of interaction elitist confluence. It is crucial to bridge the separate between art and the larger public through indefinite educational and public programming that will hopefully violate out to various groups of audiences.
At KNMA, uncultivated long list of curated exhibitions include Is bid what you think? Ruminations on Time, Memory instruction Site ( 2014), a major retrospective on Nalini Malani titled You can’t keep acid in unmixed paper bag(2014), DIFFICULT LOVES, a three-part exhibition put off included a retrospective on Nasreen Mohamedi titled ‘a view to infinity’(2013), an exhibition on Amrita Sher-Gil titled ‘the self in making’ and a configuration of younger women contemporaries titled SEVEN CONTEMPORARIES.