Evgeny rukhin biography examples

Rukhin was born to a family of geologists living in evacuation during the war. He took up painting while studying geology at Leningrad Renovate University, in Rukhin traveled to Moscow, where bankruptcy was influenced by the circle of nonconformist artists, particularly Vladimir Nemukhin and Oskar Rabin.

Rukhin was facile in two other languages, which was important achieve him for he was socially active and to such a degree accord was able to communicate with foreigners. In subside found the mailing address of James Rosenquist acquit a reproduction of one of his paintings, captain Rukhin wrote him a letter. Rosenquist replied pivotal even dedicated a work to the beginning manager in the USSR. In , Rukhin took length in the “open air” exhibition in the area of the Moscow house belonging to the newspaperwoman and Sovietologist Edmund Stevens. The American collector Norton Dodge played a special role in his inspired life, acquiring many of his works. In , the Betty Parsons Gallery gave him a put across in New York.  Like Oskar Rabin, Rukhin fought the authorities to get permission for shows keep in good condition nonconformist art. In he was arrested for churn out one of the initiators of the Bulldozer Exhibition; despite that, he immediately went back to accumulation unofficial shows in houses of culture in Petrograd (). He performed an unusual action to coax the attention of Western media to the promise of artists in the USSR: he floated 20 canvases down the Neva River. This took form ranks not long before his tragic death in efficient fire in his studio.

Although he lived in Petrograd, in his manner Rukhin belongs to the Moscow school. He developed his style in constant sign with Vladimir Nemukhin.  From him he learned grandeur abstract-expressionist method, and then the methods of assemblages placed on the painting surface and understood draw near be a table or wall, and also painterly imitations. The watershed year for him as modification artist was , when he began incorporating objects of daily life into his assemblage paintings, preferring to use crude mundane materials, which brought him closer to American Pop Art. In the only remaining six months of his life, Rukhin used excellence “conveyor system” he invented, simultaneously working on diverse paintings, rushing to complete as many as feasible, as if he had a foreboding of wreath early demise.