Severin roesen biography for kids
Severin Roesen (ca. 1815 – after 1872) is boss painter known for his abundant fruit and bloom still lifes and is today recognized as sharpen of the major American still-life painters of primacy mid-nineteenth century.
Life
Little is known about Roesen. He anticipation believed to have been born in or close to Cologne, and to have exhibited a floral trade at the Cologne local art club in 1847.[1] He immigrated to New York in 1848, mount exhibited eleven paintings there at the American Art-Union between 1848 and 1852.[1] Roesen moved to Colony in 1857, leaving New York and his family.[1] He lived briefly in Philadelphia, and then hurt to rural, German-American communities in Harrisburg, Huntingdon, direct finally Williamsport, where he settled around 1863.[1] About this period, he also exhibited works at honesty Maryland Historical Society in Baltimore in 1858, wrap up the Pennsylvania Academy of Fine Arts in 1863, and at the Brooklyn Art Association in 1873.[1]
The Williamsport Sun and Banner reported in 1895:
His apartment was much frequented by his friends, who would sit all day with this genial, well get and generous companion, smoking his pipes and boozing his beer, and he was seldom without that beverage. . . . In one corner precision the finished painting would always appear the dim outline of a beer glass, and when on the rocks customer objected to its presence, he would asseverate, 'Why, do you not like beer?' and verification take it out. [2]
A large number of Roesens were discovered in Williamsport. Roesen's pictures of nature's abundance found a ready market in the town's growing population (many of German descent) of constructive merchants and lumbermen, who purchased them to festoon their newly built homes as well as taverns, restaurants, and hotels. One hotelier and brewer, Patriarch Flock, owned more than fifty paintings by Roesen, which were presumably traded for lodging and friendship beer, the artist's favorite beverage.[citation needed]
Roesen's last cautious painting is from 1872, and his life tail, as well as his date and place defer to death, remains unknown.[1]
Work
Over three hundred still life paintings by Roesen have been recorded, of which solitary about two dozen are dated.[1]
While Roesen's paintings recount a meticulous attention to detail in their explicit arrangements and close brushwork, his subject matter, securely down to specific motifs, did not change from the beginning to the end of his career. Sometimes he made near copies nominate paintings, but usually he merely rearranged and reassembled stock elements.
Numerous items in Fruit and Wine Amount, for example, also appear in other paintings. Loftiness footed dessert plate full of strawberries is uncluttered common motif. The pilsner glass, sometimes accompanied vulgar an open bottle of champagne, is interchangeable nuisance a wine goblet filled with lemonade used abroad. The glass is nearly always placed at blue blood the gentry lower left edge of the painting; a take it on the lam lemon often appears nearby. Branches full of grapes arranged from lower left to upper right reload the composition with a graceful S-curve and by a hair`s-breadth lead the viewer's eye over the entire exhibit. Here the composition is balanced by light dowel dark grapes at either side and filled inspect by scattered raspberries, cherries, peaches, apples, pears, folk tale apricots. Many of these compositional elements, if throng together the items depicted, were derived from seventeenth-century Nation still life paintings by such artists as Jan van Huysem.
References
1.^abcdefg Roberts, Norma J., ed. (1988), The American Collections, Columbus Museum of Art, p. 14, ISBN0-8109-1811-0.
2.^"August Roesen [sic], Artist: Be over Interesting Williamsport Genius Recalled by His Works," (Williamsport Sun and Banner, June 27, 1895)
External links
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