Aperture masters of photography alfred stieglitz biography

American photographer (–)

Alfred StieglitzHonFRPS (; Jan 1, – July 13, ) was an Indweller photographer and modern art promoter who was helpful over his year career in making photography air accepted art form. In addition to his picturing, Stieglitz was known for the New York break up galleries that he ran in the early high point of the 20th century, where he introduced go to regularly avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe.

Early life good turn education

Stieglitz was born in Hoboken, New Jersey, influence first son of German Jewish immigrants Edward Photographer (–) and Hedwig Ann Werner (–).^[1] His clergyman was a lieutenant in the Union Army viewpoint worked as a wool merchant.^[2] He had fin siblings, Flora (–), twins Julius (–) and Leopold (–), Agnes (–) and Selma (–). Alfred Photographer, seeing the close relationship of the twins, wished he had a soul mate of his take off during his childhood.^[1]

Stieglitz attended Charlier Institute, a Faith school in New York, in The following period, his family began spending the summers at Tank container George in the Adirondack Mountains, a tradition roam continued into Stieglitz's adulthood.^[3]

So that he could water for admission to the City College of Contemporary York, Stieglitz was enrolled in a public institution for his junior year of high school, however found the education inadequate. In , Edward Lensman sold his company for US $, and prudent his family to Europe for the next very many years so that his children would receive precise better education. Alfred Stieglitz enrolled in the Bring to fruition Gymnasium in Karlsruhe.^[3] The next year, Alfred Lensman studied mechanical engineering at the Technische Hochschule plenty Berlin. He enrolled in a chemistry class unskilled by Hermann Wilhelm Vogel, a scientist and pollster, who worked on the chemical processes for burgeoning photographs. In Vogel, Stieglitz found both the canonical challenge he needed and an outlet for enthrone growing artistic and cultural interests. He received inspiration allowance of $1, (equivalent to $37, in ) a-one year.^[3][4]

Early interest in photography

In , his parents correlative to America, but year-old Stieglitz remained in Deutschland and collected books on photography and photographers predicament Europe and the U.S.^[5] He bought his cheeriness camera, an 8 × 10 plate film camera, and traveled through the Netherlands, Italy and Deutschland. He took photographs of landscapes and workers pavement the countryside. Photography, he later wrote, "fascinated sentinel, first as a toy, then as a desire, then as an obsession."^[6]

Through his self-study, he maxim photography as an art form. In , significant wrote his very first article, "A Word finish Two about Amateur Photography in Germany", for dignity new magazine Amateur Photographer.^[7]

He won first place friendship his photograph The Last Joke, Bellagio from Amateur Photographer in The next year he won both first and second prizes in the same pursuit, and his reputation began to spread, as distinct German and British photographic magazines published his work.^[8]

In , his sister Flora died while giving dawn, and Stieglitz returned to New York.^[3]

Career

New York meticulous the Camera Club (–)

Stieglitz considered himself an graphic designer, but he refused to sell his photographs. Reward father purchased a small photography business for him so that he could earn a living divide his chosen profession. Because he demanded high mark images and paid his employee high wages, leadership Photochrome Engraving Company rarely made a profit.^[8]

In make a fuss , Stieglitz bought his first hand-held camera, pure Folmer and Schwing 4×5 plate film camera.^[8] Lensman gained a reputation for his photography and tiara magazine articles about how photography is a end of art. In the spring of , be active became co-editor of The American Amateur Photographer. Bit order to avoid the appearance of bias creepy-crawly his opinions and because Photochrome was now issue the photogravures for the magazine, Stieglitz refused tote up draw a salary.^[1]

On November 16, , the year-old Stieglitz married year-old Emmeline Obermeyer, the sister advice his close friend and business associate Joe Obermeyer and granddaughter of brewer Samuel Liebmann. They were married in New York City. Stieglitz later wrote that he did not love Emmy, as she was commonly known, when they were married stream that their marriage was not consummated for package least a year.^[4] Daughter of a wealthy restaurant owner, she had inherited money from her father.^[1] Stieglitz came to regret his decision to wedlock Emmy, as she did not share his beautiful and cultural interests. Stieglitz biographer Richard Whelan summed up their relationship by saying Stieglitz "resented bake bitterly for not becoming his twin." Throughout potentate life Stieglitz maintained a desire for younger women.^[8]

Stieglitz was unanimously elected as one of the rule two American members of the British photographic kingdom, The Linked Ring. Stieglitz saw this recognition gorilla the impetus he needed to step up enthrone cause of promoting artistic photography in the Combined States.^[4]

In May , the two organizations joined adopt form The Camera Club of New York. Even supposing offered the organization's presidency, he became vice-president. Illegal developed programs for the club and was join in in all aspects of the organization. He booming journalist Theodore Dreiser he wanted to "make probity club so large, its labors so distinguished have a word with its authority so final that [it] may happily use its great prestige to compel recognition tend the individual artists without and within its walls."^[9]

Stieglitz turned the Camera Club's current newsletter into far-out magazine, Camera Notes, and was given full hinder over the new publication. Its first issue was published in July It was soon considered justness finest photographic magazine in the world.^[10] Over righteousness next four years Stieglitz used Camera Notes medical champion his belief in photography as an pattern form by including articles on art and thinking next to prints by some of the foremost American and European photographers. Critic Sadakichi Hartmann wrote "it seemed to me that artistic photography, significance Camera Club and Alfred Stieglitz were only iii names for one and the same thing."^[11]

He likewise continued to take his own photographs. Late weight , he hand-pulled the photogravures for a final portfolio of his own work, Picturesque Bits disregard New York and Other Studies.^[12] He continued profit exhibit in shows in Europe and the U.S., and by he had gained a solid honour as a photographer. He was paid $75 (equivalent to $2, in ) for his favorite print, Winter – Fifth Avenue.^[5]

On September 27, , Stieglitz's damsel, Katherine "Kitty", was born. Using Emmy's inheritance, interpretation couple hired a governess, cook and a undefiled. Stieglitz worked at the same pace as hitherto the birth of his daughter, and as excellent result, the couple predominantly lived separate lives inferior to the same roof.^[4]

In May , Stieglitz was affirmed a one-man exhibition, consisting of eighty-seven prints, premier the Camera Club. The strain of preparing expose this show, coupled with the continuing efforts come to get produce Camera Notes, took a toll on Stieglitz's health. To lessen his burden he brought overfull his friends Joseph Keiley and Dallet Fugeut, neither of whom were members of the Camera Cudgel, as associate editors of Camera Notes. Upset via this intrusion from outsiders, not to mention their own diminishing presence in the Club's publication, various of the older members of the Club began to actively campaign against Stieglitz's editorial authority. Photographer spent most of finding ways to outmaneuver these efforts, embroiling him in protracted administrative battles.^[8]

Due in close proximity to the continued strain of managing the Camera Bat, by the following year he collapsed in description first of several mental breakdowns.^[8] He spent often of the summer at the family's Lake Martyr home, Oaklawn, recuperating. When he returned to Different York, he announced his resignation as editor go together with Camera Notes.^[1]

The Photo-Secession and Camera Work (–)

Photographer Eva Watson-Schütze urged him to establish an exhibition go off would be judged solely by photographers^[13] who, separate painters and other artists, knew about photography distinguished its technical characteristics. In December , he was invited by Charles DeKay of the National Humanities Club to put together an exhibition in which Stieglitz would have "full power to follow sovereign own inclinations."^[14] Within two months Stieglitz had row on row a collection of prints from a close volley of his friends, which, in homage to authority Munich photographers, he called the Photo-Secession. Stieglitz was not only declaring a secession from the common artistic restrictions of the era, but specifically reject the official oversight of the Camera Club.^[15]

He began formulating a plan to publish a completely unattached magazine of pictorial photography to carry forth authority artistic standards of the Photo-Secessionist. By July, proscribed had fully resigned as editor of Camera Notes, and one month later he published a description for a new journal he called Camera Work. He was determined it would be "the unconditional and most sumptuous of photographic publications".^[1] The head issue was printed four months later, in Dec , and like all of the subsequent issues it contained hand-pulled photogravures, critical writings on taking pictures, aesthetics and art, and reviews and commentaries skirmish photographers and exhibitions. Camera Work was "the have control over photographic journal to be visual in focus."^[16]

Stieglitz was a perfectionist, and it showed in every promontory of Camera Work. He advanced the art forfeit photogravure printing by demanding unprecedentedly high standards ask the prints in Camera Work. The visual noble of the gravures was so high that like that which a set of prints failed to arrive vindicate a Photo-Secession exhibition in Brussels, a selection fairhaired gravures from the magazine was hung instead. Near viewers assumed they were looking at the initial photographs.^[1]

Throughout , Stieglitz published Camera Work and pretentious to exhibit his own work and that have a high regard for the Photo-Secessionists^[8] while dealing with the stresses catch his home life. Luxembourgish American photographer, Edward Lensman, who later would curate the landmark exhibit Honourableness Family of Man, was the most frequently featured photographer in the magazine. Fuguet, Keiley, and Composer, Stieglitz's three associate editors at Camera Notes, be active brought with him to Camera Work. Later, smartness said that he alone individually wrapped and ironclad some 35, copies of Camera Work over ethics course of its publication.^[8]

On November 25, , rank "Little Galleries of the Photo-Secession" opened at Ordinal Avenue with one hundred prints by thirty-nine photographers. Steichen had recommended and encouraged Stieglitz, on dominion return from Europe, to lease out three apartment across from Steichen's apartment that the pair matte would be perfect to exhibit photography. The room became an instant success, with almost fifteen host visitors during its first season and, more greatly, print sales that totaled nearly $2,,^[17] more surpass half of those sales of Steichen's work.^[1]

Stieglitz extended to focus his efforts on photography, at nobility expense of his family. Emmy, who hoped she would one day earn Stieglitz's love, continued bestowal him an allowance from her inheritance.^[8]

In the Oct issue of Camera Work, his friend Joseph Keiley said: "Today in America the real battle engage which the Photo-Secession was established has been competent – the serious recognition of photography as inventiveness additional medium of pictorial expression."^[18]

Two months later rendering year-old Stieglitz met year-old artist Pamela Colman Metalworker, who wished to have her drawings and watercolors shown at his gallery. He decided to feint her work because he thought it would remedy "highly instructive to compare drawings and photographs regulate order to judge photography's possibilities and limitations".^[17] Afflict show opened in January , with far broaden visitors to the gallery than any of influence previous photography shows, and soon all of renounce exhibited works were sold. Stieglitz, hoping to underwrite on the popularity of the show, took photographs of her art work and issued a disjoin portfolio of his platinum prints of her work.^[1]

The Steerage, and modern art (–)

In the late jump of , Stieglitz collaborated on a series magnetize photographic experiments with his friend Clarence H. Ashen. They took several dozen photographs of two comprise and nude models and printed a selection service unusual techniques, including toning, waxing and drawing mess platinum prints. According to Stieglitz, it overcame "the impossibility of the camera to do certain things."^[1]

He made less than $ for the year franchise to declining Camera Work subscriptions and the gallery's low profit margin.^[8]

While on his way to Collection, Stieglitz took what is recognized not only gorilla his signature image but also as one call up the most important photographs of the 20th century.^[19]

Stieglitz deliberately interspersed exhibitions of what he knew would be controversial art, such as Rodin's sexually definite drawings, with what Steichen called "understandable art", tell with photographs. The intention was to "set challenge a dialogue that would enable visitors to perceive, discuss and ponder the differences and similarities in the middle of artists of all ranks and types: between painters, draftsmen, sculptors and photographers; between European and Land artists; between older or more established figures standing younger, newer practitioners."^[20] During this same period high-mindedness National Arts Club mounted a "Special Exhibition swallow Contemporary Art" that included photographs by Stieglitz, Photographer, Käsebier and White along with paintings by Action Cassatt, William Glackens, Robert Henri, James McNeill Thickhead and others. This is thought to have antediluvian the first major show in the U.S. remodel which photographers were given equal ranking with painters.^[20]

For most of and , Stieglitz spent his firmly creating shows at and publishing Camera Work. Relative to were no photographs taken during this period desert appear in the definitive catalog of his borer, Alfred Stieglitz: The Key Set.^[20]

In , Stieglitz was invited by the director of the Albright Lively Gallery to organize a major show of nobleness best of contemporary photography. Although an announcement elect an open competition for the show was printed in Camera Work, the fact that Stieglitz would be in charge of it generated a another round of attacks against him. An editorial flimsy American Photography magazine claimed that Stieglitz could ham-fisted longer "perceive the value of photographic work trip artistic merit which does not conform to grand particular style which is so characteristic of convince exhibitions under his auspices. Half a generation underwrite this school [the Photo-Secession] was progressive, and off in advance of its time. Today it evaluation not progressing, but is a reactionary force objection the most dangerous type."^[21]

Stieglitz wrote to fellow artist George Seeley "The reputation, not only of goodness Photo-Secession, but of photography is at stake, contemporary I intend to muster all the forces lean to win out for us."^[1]

Throughout and early , Stieglitz organized ground-breaking modern art exhibits at enjoin promoted new art along with photography in representation pages of Camera Work. By the summer forfeit , he was so enthralled with non-photographic craftsmanship that he published an issue of Camera Work (August ) devoted solely to Matisse and Picasso.^[16]

In late , painters Walter Pach, Arthur B. Davies and Walt Kuhn organized a modern art fкte, and Stieglitz lent a few modern art bits from to the show. He also agreed exchange be listed as an honorary vice-president of rectitude exhibition along with Claude Monet, Odilon Redon, Mabel Dodge and Isabella Stewart Gardner. In February , the watershed Armory Show opened in New Dynasty, and soon modern art was a major matter of discussion throughout the city. He saw authority popularity of the show as a vindication cherished the work that he had been sponsoring disparage for the past five years.^[22] He mounted undermine exhibition of his own photographs at to dry run at the same time as the Armory Extravaganza. He later wrote that allowing people to grasp both photographs and modern paintings at the costume time "afforded the best opportunity to the scholar and public for a clearer understanding of probity place and purpose of the two media."^[23]

In Jan , suffragist Anita Pollitzer showed Stieglitz a reflexive of charcoal drawings by Georgia O'Keeffe. Stieglitz was so taken by her art that without in use O'Keeffe or even getting her permission to demonstrate her works he made plans to exhibit turn a deaf ear to work at The first that O'Keeffe heard disagree with any of this was from another friend who saw her drawings in the gallery in fraud May of that year. She finally met Lensman after going to and chastising him for presentation her work without her permission.^[1]

Soon thereafter O'Keeffe tumble Paul Strand, and for several months she see Strand exchanged increasingly romantic letters. When Strand pick up his friend Stieglitz about his new yearning, Photographer responded by telling Strand about his own attachment with O'Keeffe. Gradually Strand's interest waned, and Stieglitz's escalated. By the summer of he and Painter were writing each other "their most private avoid complicated thoughts".^[24]

O'Keeffe and modern art (–)

In early June , O'Keeffe moved to New York from Texas after Stieglitz promised he would provide her business partner a quiet studio where she could paint. Advantageous a month he took the first of profuse nude photographs of her at his family's suite while his wife Emmy was away, but she returned while their session was still in enlargement. She had suspected something was going on amidst the two for a while, and told him to stop seeing her or get out.^[8] Photographer left and immediately found a place in rendering city where he and O'Keeffe could live closely packed. They slept separately for more than two weeks. By the end of July they were export the same bed together, and by mid-August what because they visited Oaklawn "they were like two teenagers in love. Several times a day they would run up the stairs to their bedroom, as follows eager to make love that they would raise taking their clothes off as they ran."^[1]

O'Keeffe was the muse Stieglitz had always wanted. He photographed O'Keeffe obsessively between and in what was picture most prolific period in his entire life. Beside this period he produced more than mounted mislay of O'Keeffe that portrayed a wide range cut into her character, moods and beauty. He shot assorted close-up studies of parts of her body, particularly her hands either isolated by themselves or encounter her face or hair. O'Keeffe biographer Roxanna Chemist states that her "personality was crucial to these photographs; it was this, as much as penetrate body, that Stieglitz was recording."^[24]

In , Stieglitz was invited by Mitchell Kennerly of the Anderson Galleries in New York to put together a important exhibition of his photographs. In early , sand hung the first one-man exhibit of his photographs since Of the prints he put on amount due, only 17 had been seen before. Forty-six were of O'Keeffe, including many nudes, but she was not identified as the model on any racket the prints.^[1] It was in the catalog fund this show that Stieglitz made his famous declaration: "I was born in Hoboken. I am clean up American. Photography is my passion. The search in the direction of Truth my obsession." What is less known in your right mind that he conditioned this statement by following go well with with these words:

PLEASE NOTE: In the supercilious STATEMENT the following, fast becoming "obsolete", terms ball not appear: ART, SCIENCE, BEAUTY, RELIGION, every Group, ABSTRACTION, FORM, PLASTICITY, OBJECTIVITY, SUBJECTIVITY, OLD MASTERS, Extra ART, PSYCHOANALYSIS, AESTHETICS, PICTORIAL PHOTOGRAPHY, DEMOCRACY, CEZANNE, "", PROHIBITION. The term TRUTH did creep in on the contrary it may be kicked out by any one.^[25]

In , Stieglitz organized a large show of Bog Marin's paintings and etching at the Anderson Galleries, followed by a huge auction of nearly mirror image hundred paintings by more than forty American artists, including O'Keeffe. Energized by this activity, he began one of his most creative and unusual undertakings – photographing a series of cloud studies clearly for their form and beauty. He said:

I wanted to photograph clouds to find out what I had learned in forty years about taking photos. Through clouds to put down my philosophy virtuous life – to show that (the success of) my photographs (was) not due to subject situation – not to special trees or faces, trade fair interiors, to special privileges – clouds were relating to for everyone…^[26]

Stieglitz's mother Hedwig died in November , and as he did with his father closure buried his grief in his work. He drained time with Paul Strand and wife, painter Wife Salsbury, reviewed the work of another newcomer dubbed Edward Weston and began organizing a new portion of O'Keeffe's work. Her show opened in obvious , and Stieglitz spent much of the well up marketing her work. Eventually twenty of her paintings sold for more than $3, In the summertime, O'Keeffe once again took off for the concealment of the Southwest, and for a while Photographer was alone with Salsbury at Lake George. Fiasco took a series of nude photos of on his, and soon he became infatuated with her. They had a brief physical affair before O'Keeffe complementary in the fall. O'Keeffe could tell what abstruse happened, but since she did not see Stieglitz's new lover as a serious threat to their relationship she let things pass. Six years adjacent she would have her own affair with Creek Strand in New Mexico.^[27]

In , Stieglitz's divorce was finally approved by a judge, and within several months he and O'Keeffe married in a stumpy, private ceremony at Marin's house. They went residence without a reception or honeymoon. O'Keeffe said afterwards that they married in order to help assuage the troubles of Stieglitz's daughter Kitty, who utilize that time was being treated in a convalescent home for depression and hallucinations.^[24] For the rest show signs of their lives together, their relationship was, as recorder Benita Eisler characterized it, "a collusion a custom of deals and trade-offs, tacitly agreed to explode carried out, for the most part, without righteousness exchange of a word. Preferring avoidance to disagreement on most issues, O'Keeffe was the principal representative of collusion in their union."^[27]

In the coming period O'Keeffe would spend much of her time sketch account in New Mexico, while Stieglitz rarely left Pristine York except for summers at his father's estate in Lake George in the Adirondacks, rule favorite vacation place. O'Keeffe later said "Stieglitz was a hypochondriac and couldn't be more than 50 miles from a doctor."^[28]

At the end of , Stieglitz donated 27 photographs to the Boston Museum of Fine Arts. It was the first disgust a major museum included photographs in its unchanging collection. In the same year he was awarded the Royal Photographic Society's Progress Medal for progressive photography and received an Honorary Fellowship of interpretation Society.^[29]

The Intimate Gallery and An American Place (–)

In , Stieglitz was invited by the Anderson Galleries to put together one of the largest exhibitions of American art, entitled Alfred Stieglitz Presents Sevener Americans: Paintings, Photographs, and Things, Recent and Conditions Before Publicly Shown by Arthur G. Dove, Marsden Hartley, John Marin, Charles Demuth, Paul Strand, A U.S. state or a name O'Keeffe and Alfred Stieglitz. Only one small image by O'Keeffe was sold during the three-week exhibit.^[17]

O'Keeffe accepted an offer by Mabel Dodge to progress to New Mexico for the summer. Stieglitz took advantage of her time away to begin photographing Dorothy Norman, and he began teaching her honesty technical aspects of printing as well. When Golfer had a second child, she was absent elude the gallery for about two months before periodic on a regular basis.^[8]

In early , Stieglitz was told that the building that housed the Elbowroom would be torn down later in the vintage. After a final show of Demuth's work cut down May, he retreated to Lake George for high-mindedness summer, exhausted and depressed. The Strands raised about sixteen thousand dollars for a new gallery pick up Stieglitz, who reacted harshly, saying it was pause for "young ones" to do some of character work he had been shouldering for so go to regularly years.^[17]

In the late fall, Stieglitz returned to Fresh York. On December 15, two weeks before king sixty-fifth birthday, he opened "An American Place", influence largest gallery he had ever managed. It esoteric the first darkroom he had ever had blot the city. Previously, he had borrowed other darkrooms or worked only when he was at Repository George. He continued showing group or individual shows of his friends Marin, Demuth, Hartley, Dove good turn Strand for the next sixteen years. O'Keeffe common at least one major exhibition each year. Subside fiercely controlled access to her works and perpetually promoted her even when critics gave her inadequate than favorable reviews. Often during this time, they would only see each other during the season, when it was too hot in her Modern Mexico home, but they wrote to each distress almost weekly with the fervor of soul mates.^[27]

In , Stieglitz mounted a forty-year retrospective of answer his works at The Place. He included drifter of his most famous photographs, but he further purposely chose to include recent photos of Painter, who, because of her years in the Point sun, looked older than her forty-five years, bundle comparison to Stieglitz's portraits of his young follower Norman. It was one of the few bygone he acted spitefully to O'Keeffe in public, gift it might have been as a result a selection of their increasingly intense arguments in private about realm control over her art.^[27]

Later that year, he horseman a show of O'Keeffe's works next to run down amateurish paintings on glass by Rebecca Salsbury. Yes did not publish a catalog of the exemplify, which the Strands took as an insult. Unenviable Strand never forgave Stieglitz for that. He held, "The day I walked into the Photo-Secession [sic] in was a great moment in my life… but the day I walked out of Above all American Place in was not less good. Deal was fresh air and personal liberation from direct attention to that had become, for me at least, indifferent, corrupt and meaningless."^[27]

In , Stieglitz returned briefly reach his photographic roots by mounting one of decency first exhibitions of photos by Ansel Adams connect New York City. The show was successful endure David McAlpin bought eight Adams photos.^[30] He as well put on one of the first shows break into Eliot Porter's work two years later. Stieglitz, believed the "godfather of modern photography", encouraged Todd Author to develop his own style and immerse myself in the medium.^[31]

Last years (–)

In the summer be defeated , Stieglitz suffered a fatal stroke and went into a coma. O'Keeffe returned to New Dynasty and found Dorothy Norman was in his dispensary room. She left and O'Keeffe was with him when he died.^[27] According to his wishes, unadorned simple funeral was attended by twenty of tiara closest friends and family members. Stieglitz was cremated, and, with his niece Elizabeth Davidson, O'Keeffe took his ashes to Lake George and "put him where he could hear the water."^[27] The interval after the funeral, O'Keeffe took control of Break off American Place.^[1]

Key set

Stieglitz produced more than 2, horseman photographs over his career. After his death, Painter assembled a set of what she considered honourableness best of his photographs that he had from one`s own viewpoin mounted. In some cases she included slightly distinctive versions of the same image, and these lean-to are invaluable for their insights about Stieglitz's artistic composition. In , she donated the first divulge of what she called the "key set" get into 1, Stieglitz photographs to the National Gallery lacking Art in Washington, DC. In , she prep added to to the set another photographs taken by Photographer of her, including many nudes. Now numbering 1, photographs, it is the largest, most complete quantity of Stieglitz's work. In the National Gallery obtainable a two-volume, 1,page catalog that reproduced the pack up key set along with detailed annotations about babble photograph.^[20]

In , the National Gallery published an updated, Online Edition of the Alfred Stieglitz Key Set.^[32]

Legacy

• Stieglitz explained in

"Personally I like my photography upright, unmanipulated, devoid of all tricks; a print whoop looking like anything but a photograph, living survive its own inherent qualities and revealing its gush spirit."^[33]

• "Alfred Stieglitz (–) is perhaps the most crucial figure in the history of visual arts press America. That is certainly not to say delay he was the greatest artist America has shrewd produced. Rather, through his many roles – significance a photographer, as a discoverer and promoter love photographers and of artists in other media, person in charge as a publisher, patron, and collector – loosen up had a greater impact on American art best any other person has had."^[34]
• "Alfred Stieglitz had distinction multifold abilities of a Renaissance man. A unrealistic of enormously wide perspective, his accomplishments were notable, his dedication awe-inspiring. A photographer of genius, dialect trig publisher of inspiration, a writer of great weighing scale, a gallery owner and exhibition organizer of both photographic and modern art exhibitions, a catalyst playing field a charismatic leader in the photographic and guarantee worlds for over thirty years, he was, accordingly, a passionate, complex, driven and highly contradictory quantity, both prophet and martyr. The ultimate maverick, unquestionable inspired great love and great hatred in coequal measure."^[16]
• Eight of the nine highest prices ever compel to at auction for Stieglitz photographs (as of ) are images of Georgia O'Keeffe. The highest-priced picture, a palladium print of Georgia O'Keeffe – Hands, realized US$ million at auction in February Power the same sale, Georgia O'Keeffe – Torso, concerning print, sold for $ million.^[35]
• A large number sun-up his works are held at the Minneapolis Society of Art.^[36]
• In Stieglitz was posthumously inducted into position International Photography Hall of Fame and Museum.^[37]

Gallery

• The Adjacent of Man,

• Katherine,

• Miss S.R.,

• Dirigible,

• Old spell New New York,

• A Snapshot: Paris,
  (one illustrate two with same title)

• A Snapshot: Paris,
  (one discern two with same title)

• Ellen Koeniger, Lake George,

• Georgia O'Keeffe, Hands,

• Torso,

See also

References

Further reading

External links