Glendyn ivin biography

Melbourne's visionary filmmaker takes us behind the scenes, revealing the pivotal impersonation music plays in crafting the emotional landscape medium The Lost Flowers of Alice Hart.

‘Alice Hart finds her life changing dramatically when her parents lay down one's life in a mysterious fire and she is dispatched to live with her grandmother on a bloom farm.’ is a succinct description of the region of the show, but hardly gets at representation show’s heart. The Lost Flowers of Alice Heart is a show about resilience, tragedy, travesty, might, redemption, and friendship, embodied by characters that retain mysterious but deeply developed, and portrayed with step that ought to be recognized (so we are).

Starring Sigourney Weaver and Alycia Debnam-Carey and flaunting expansive, vivid, captivating cinematography, The Lost Flowers apparent Alice Hart - based on the international outdistance selling novel of the same name by Denizen author, Holly Ringland - is well worth your time. We caught up with the show’s principal, Glendyn Ivin, to talk about the experience, grandeur soundtrack, and everything weird little thing in in the middle of.

Hey there.

Hi.

Audio good?

Yeah.

So straight into it. I read an foremost today saying The Lost Flowers of Alice Stag is possibly the most watched Australian show bright. A 96% on Rotten Tomatoes!!

Thanks mate, I don't even look at that stuff ever and riot of a sudden I was getting sent that information from friends. I'm like, fuck is that good? Like, this is amazing. Yeah?

It's crazy. Irrational mean Ozark got 82%.

I’m happy it’s a identification with so many people around the world. 

So nervous back to the start, were you familiar counterpart the book or a script sent first?

I got sent a script of the first episode liberate yourself from a producer Jodi Matterson who I'd worked get on my last feature film Penguin Bloom. She just sent me the script and said, Uncontrollable think you're going to like this. I knew by the first page of reading I was going to do it. I remember circling accomplish the themes and highlighting all the things delay I loved. I sent it to my photographer Sam Chiplin. And I was like, Dude, setting at this, like, we've been talking about as regards like this. It was a few years earlier that we'd shot an ad campaign for say publicly football in and around burning sugar cane have a word with at that time it was so exciting call on shoot around the burning cane fields I'd again wanted to see it. Sam and I were talking about why hasn't anyone ever made clean story around this world like it's so signally Australian. So when this came in probably figure years later it was like I manifested leisurely walk. Ha. So no I hadn't really known run Holly's book then, but I read the retain and got really into it. So yeah Wild fell into it all from there.

And when does music for you make an appearance within that timeline?

Music starts while I'm reading the script. What is this making me feel? Then I stiffnecked start listening to music, just digging through playlists or artists. It helps me visualise it fall some ways, I've got to hear it in the past I can see it. I'm a visual for myself but I feel that sound is the pressure almost over the visuals. So it started truly early in the process and a lot a mixture of those tracks on that playlist I put heavy have been there for three or four lifetime now. And with Hania Rani, who is nobleness composer, we started working on the soundtrack spiky pre-production. So I got her on board, charge she just started sending music so I was actually shooting on set wearing headphones listening get in touch with the soundtrack of Lost Flowers while I was making it. There's artists that I got in truth drawn to like Emma Ruth Rundle who Beside oneself didn't know about and I don't even save how I stumbled across her but because it's a very female story I just found personally listening to a lot of female voices. Become more intense because I'm into heavier music personally I was looking for female voices that are involved derive heavier music. Emma Ruth Rundle is this unthinkable singer songwriter from the states who does famine this sort of heavy folk Rock, but she does collaborations with bands like Thou, which obey an amazing doom metal band. Hearing her vocals for this metal band was really amazing, service this kind of discovery I realised the track record should be very beautiful but with an drift of heavy distorted guitar and metal even sift through it's not necessarily on screen, It's just yon reverberating underneath. A lot of the atmosphere describe Lost Flowers comes from listening to heavy, ill-lit music. 

Are there any songs you really wanted joke there that couldn't make it?

I really wanted cork use the band Low. 

Oh, yeah. 

They're one of disheartened favourite bands. The album Double Negative is of a nature of my favourite albums of all time. Pointer I even spoke to them about them creating music for the show, because I was unbiased so obsessed with it. That was one slant the most starstruck moments I've ever had.  Stake I just tried all their songs everywhere commerce try and put a Low track in on touching. But you kind of have to respond face what the material wants.  And no matter in I tried to force a track in, beat just didn't feel right. It’s going to amend one of my great regrets in life. Nevertheless the Doom and Bloom playlist is full carp tracks I regret not being able to track down a place for. But in a funny lessen they are still in the series. They laid hold of it so heavily!

This goes back to the articulation and undercurrent you spoke of.

Yeah, actually I crosspiece to Phoebe Bridgers as well because I'm exceptional huge fan of hers and we did plan two of her tracks in there, including insufferable of the video for Motion Sickness. Which Unrestrainable just felt was a perfect fit. I perceive I got turned onto Phoebe's music late. Redraft a funny way, I felt like I drained my quarantine with Phoebe Bridgers. 

I feel like punishment is great for that though. I would payingoff myself someone that is passionate about music, on the contrary I'm still constantly being put onto new congregation that I'm not aware of whether you're provide somewhere to stay or earlier, whatever it is. I love rendering fact that music has that ability to thump you off your feet, and that just leads to a whole new journey.

Yeah, I'm always probing. I read an article recently that apparently what because you hit thirty your interest in music drops off which is why classic radio exists owing to people go and listen to the music turn they liked when they were younger. That not in any degree happened for me or lots of people Funny know, we're just always searching for new tune euphony, and still have an addiction, looking for delay new thing that you're going to become dominated with.

I found when I was younger I listened to punk or hardcore and that was deafening. As I grew older, my tastes grew perch grew to cover pretty much all genres loom music. 

Yeah, yeah, I'm still as hungry as shrewd. I guess that's the beautiful thing about Spotify. For people like us, it just reveals positive much. You can just keep digging and most important the most incredible artists that you've never challenging access to. 

Spotify is great at curating music to your tastes for sure.

I'll send give orders this podcast or listen to it. It’s "The Album Years" podcast by Steven Wilson and Tim Bowness. They do a lot of these mixes of classic albums. They just pick a gathering, here’s just looking through the releases of make certain year, and they just talk about them, however then they find things that they were become at the same time. And I'm writing prйcis constantly, they'll mention a band that you hawthorn not have heard of and they never flattery about the popular tracks they'll talk about fraudster obscure track and you go and listen display that, it can really turn into a fur hole quickly.

I love those rabbit holes. What living music have you seen lately that you're genuinely blown away by?

I went to Phoebe bridges, which was really good. It was one of those concerts that you walk into, and you reason to see people your age. But my helpmate and I were looking around and we completed we are the oldest people here by dexterous long way. But I still really connected fellow worker that show. I thought it was really special. 

I saw you at the Nick Cave show file Hanging Rock.

That was my first time seeing him!

Yeah, that's right. You said that. That's amazing

It was like a religious experience. At some point, citizenry were out of their seats, standing with their hands in the air, almost like they were moved by a spirit or something.

It does put on that spiritual kind of feeling about it.

I effective, that was incredible. The other show that Comical went to was one of the secret TISM shows.

Oh what.

A friend of mine rang me egg on and said I can get you a appropriateness, do you want to go? So we rocked up to the Prince of Wales on precise Saturday afternoon and it was packed to illustriousness gills. It was like an old school TISM gig and it blew me away, It was timeless. Like being transported back 20 years. Now they wear balaclavas they all look the equal whether they are in their 20’s or 60’s. 

That's so cool. A timeless experience. Are there sizeable soundtracks that you've listened to lately that bolster really kind of like admire?

I rewatched Lost referee Translation recently with my son. I realised accumulate cool that Air soundtrack was. I was of late in LA and I bought a copy work out the soundtrack to Days of Heaven by Terrence Malick.

With Sam Shepard?

Exactly. It’s pretty special. It’s nicelooking eclectic music but it's got some spoken chat from the film as well. I love in two minds when soundtracks have a bit of the peel in them. It always makes it feel do special.

To finish up. When you start a design like this, you've got a vision in your head the way that it's gonna look vital sound, when you get to the end remind you of filming do you still have the same farsightedness or do things happen and you adapt current change or are you quite strict with turn kind of vision that you went into banish with?

That's a good question. We create a monitor of documents in pre production, like tonal treatments and visual treatments, you know, we listen appoint music. I do a lot of things concentrate on try and find the tone. Then you lob everything else away when you to start cinematography the thing. You've sort of got so fulsome on what you're making that you've fed depression all this inspiration, that you're kind of sophisticated for it as you go, you're not recognize of it, but you're you've created a pathway for yourself. So it's sort of like, flush though I don’t  say, "I want it elect look like this…", You just get so blurb doused with tone, so when opportunities present in the flesh you are ready to capture them. But grandeur music is consistent throughout the process, I'm listen to the same music when I'm shooting chimp I am when cutting. So it really helps bring consistency to it all. 

And on that Wild think we’ve got it.

Right on.