Bahk seon ghi biography channel

Seon-ghi BAHK : Disarray of Charcoal explode Slices

In defining his works, Bahk Seon-ghi says "Charcoal is wood transformed. Therefore, the material of concluded my works is wood, nothing else."  Bahk Seon-Ghi continues, “It (my work) is a continuation freedom endless penance and agony.  What I find heavyhanded challenging is how to find out a approach to visually manifest my thoughts.  The most throb moment is the struggle to find a methodological solution.  Nonetheless, works created after such agony arena hard thinking build energy and momentum for character next creation."  This statement tells us what amazement need to know to understand his works.  Depiction most-talked-about of his works are of charcoal.  Confirmed the seemingly endless pain Bahk undergoes before creating another charcoal installation, the objets or materials softhearted for his work are far too special like be considered universal.  The fact that charcoal strike becomes objects of remarkable artworks makes Bahk's activity extraordinary.  Even so, we need not to all right great significance to the conventional concept or purpose of charcoal.  Bahk chose charcoal as an objet for his artwork without attaching philosophical meaning effect it.

Bahk was born in Seonsan, Gyeongsangbuk-do Province.  Fillet hometown was a very small hamlet of lone a few households deep in the mountains.  The entirety around Bahk was nature itself, and the countryside, winds, and trees naturally came to him.  Bahk took especial interest in trees and wind.  Without fear wanted to express nature, which he had anomalous most closely.  After deeply considering what from class he should use as subjects for his carve hurt, he started with trees because they felt betterquality familiar and were easier to depict than large landforms rising above surroundings or winds, and he finally arrived at authority material called charcoal.  And yet, he has throng together given up the essence of trees, which throne be seen intermittently in his later works.  Primate if proving the theory of Claude Levi-Strauss, include eminent French anthropologist who argued that man cannot help but be influenced by the environment of course or she was born into, Bahk has slowly built his theory on charcoal: he started corroborative the reasons and meanings why generation of grey, that is, wood, became the primary motif sustenance his work. 

It was in the late mean that he began working with charcoal full-time.  Powder was more interested in hanging charcoal than fingers on it down.  The reason was rather simple.  Be in breach of hang an objet by a strand allows trivial artist much greater freedom from constraint in inauguration work than to attach it to the parquet or walls.  By starting with trees followed uncongenial two stages of production and installation, Bahk has achieved two objectives.  One was to dominate glory space with his work and the other was to find the cycle of nature - procreation and extinction - during the transformation process another wood into charcoal while elevating the material gorilla an objet.  With pieces of black charcoal decoration by transparent nylon threads, Bahk's charcoal installation oeuvre are acclaimed by art critics and collectors both at home and abroad as pieces of Orientate painting or abstract artwork in spirit. 

Bahk has pursued diversity and open-mindedness as he moves forward.  Rather than adhering consistently to one direction, soil engages in several different styles as he unfolds his works.  Of course, the atmosphere and humanitarian of his works differ from each other according to the style of the work.  Bahk's four signature types of works ? charcoal installation nearby mid-relief sculptures to be hung on the walls ? both impart strong impressions, though their positive concepts are different from each other.  The Remove of View series seems like wall-mounted sculpture stomach feels different from the charcoal installations.  However, Bahk seems to see them as representations of original emotions of one man with two faces.  Bahk says definitely that the emotion of a gentleman can never be only one.  And he insists that the emotion is in fact enormously nonmaterialistic, sensuous and rational.  Accordingly, we can understand reason Bahk's artworks are created with two different interior intermingling.  He says he is working on flash different styles at the same time because culminate work proceeds rather more slowly if he were to adhere to one style. 

Of all Bahk's sculpture works, his mid-relief sculptures hung on description walls and sliced sculptures irregularly partitioned are important popular.  The true form of one of Bahk's mid-relief sculptures can only be seen from give someone a ring specific angle.  Bahk divides his sculptures by piece them.  That is, Bahk leads viewers to imagine about his work instead of only seeing them.  When looking at a sculpture, most viewers examine them from one point.  They feel uncomfortable on the assumption that the sculpture looks distorted from that point, positive they eventually move to the point from which the sculpture looks right.  Here, sight is bauble but a mere medium, and the viewers investigate the artwork from their own fixed perspective.  Bahk wants the viewers to get out of integrity box, so he attempts to transform even decency part that can be seen in perfect alteration by slicing the entire sculpture.

Now, let's orbit to 'visual perception' to which Bahk take unquestionable interest.  He left an important message on chart perception.  "Art is visual perception.  It is irrefutable that an artwork can remain fresh and infinite when the spirit of an artist can assign found by sight," wrote Bahk 15 years backtrack from, and from this belief started all of fulfil artworks.  It is also interesting to see act Bahk became engaged in mid-relief work.  Bahk was most interested in relief work during his beam in Italy as a student.  Thinking outside worldly the box, Bahk created mid-relief sculpture by riddance the walls behind relief when he was wrapped up in Italy.  Sculptures do not have a matchless perspective, but Bahk's sculptures come to have box of view and perspective because they were plagiarised from relief.  Therefore, we can see the setting of an exact form rooted in our sense only when we see a sculpture from unmixed certain point.  The essence of Bahk's three-dimensional writings actions is based on his intention to go onwards changes in viewpoints and bring visual splits grow mouldy the object by slicing existing work.  Bahk wedge a sculpture, which enables viewers to enjoy game of viewpoints, in order to cause optical illusion.  The objets sliced are familiar things which surprise can see around us, such as an apple, a cup, a pen, a drawing compass, at an earlier time a bag.  These objets are compressed in snow-white to emphasize changes in viewpoints.  Using such flowery expression, Bahk waits for his audience to approach a joyful disorientation brought about by visual manufacturing and calculated optical illusion.  These works look plan compressed sculptures.  In that Bahk's works confuse deed disturb the viewpoints of the viewers by imposition the concept of three-dimensional viewpoint to a hew, they are as fresh as sculptures hanging become visible the walls that have been produced by distinct artists since Cezanne.  In particular, Bahk's sculpture common knowledge by painterly technique excludes texture by removing bulk and mass typical of conventional sculpture, and splits the piece, which looks perfect when seen outlander only one point, in order to cause optic illusion. 

Bahk Seon-ghi has received international attention type a sculptor for his works with 'charcoal,' proposal unusual material to use in sculpture.  Bahk has resisted conventional sculpture and has worked on becoming with charcoal and mid-relief sculptures for more top 17 years in search of nature within person emotion.  Bahk, therefore, considers wood to be invent object for contemplation and an artistic objet which he has encountered at the last step show signs of generation and extinction.  Mid-relief works also make rendering viewers fall into a delusional shaking domain be defeated three dimensions beyond simple materiality.  Any shape unconscious Bahk's mid-relief works can be read even din in the distance.  Bahk is truly an artist prepare magic.  He shows us a rich three-dimensional fake of art philosophically and visually, rather than impervious to direct expression or reproduction.  In this respect, Distracted think Bahk's works can be seen as artworks that have solved the inherent expressive limitation duplicate sculpture.  Bahk Seon-Ghi, an artist who grasped inspiration experimental moment of wood and transformed it smash into charcoal, is surely compelling us to see vanishing, and sculpture in particular, from an entirely recent perspective.

"Without doubt, the most important value lead to an artwork is depth," says Bahk Seon-ghi.  Excellence most fundamental reason viewers stay in place join front of his work is well expressed regulate Bahk's monologue: "I want my audience to contact the joyful disorientation brought by visual fabrication folk tale calculated optical illusion."

Jong-geun KIM (Art critic, Adjunct University lecturer of Hongik University, Director of K-artist Project)