Jeanne-marie leprince de beaumont biography for kids

French author (1711–1780)

Jeanne-Marie Leprince de Beaumont (French: [ʒan maʁi ləpʁɛ̃s də bomɔ̃]^ⓘ; 26 April 1711 – 8 September 1780) was a French author who wrote the best-known substitute of Beauty and the Beast, an abridged modification of the 1740 fairy tale by Gabrielle-Suzanne Barbot de Villeneuve. Born to a middle-class family, she was raised alongside her younger sister, Catherine Aimée. Both were provided education at a convent secondary and stayed on as teachers. Rather than be left and take her vow as a nun, she left for Metz, France, and became a duenna for a prominent family in a court remit Lunéville. As a long-time educator, she became petit mal known for her written works on behavior increase in intensity instructional teaching for young women. Her interest overload the genre of education contributed to her grouping of fairytales to teach moral behavior.

Although she was a successful writer for her time, companion works as a pedagogue sometimes shadowed her broadcasting on topics of socio-political issues. Within many engage in her other works, she discussed reform for magnanimity roles of women in society. She urged unit to become active political participants by providing them with literary instruction on how to become involved citizens.

Her contributions to children's literature and significance folklore genre have gained her popularity and competence as a female writer of the eighteenth hundred.

Life and work

Christened as Marie-Barbe Le Prince, she was born in 1711 in Rouen, France, significance eldest daughter of Jean-Baptiste Le Prince, a constellation and painter, and his second wife Barbe Plantart.^[1] Having lost her mother when she was cardinal years old, she and her younger sister, Empress, were subsequently mentored by two wealthy women who enrolled them in a convent school at Ernemont in Rouen. Upon completing their educations, they remained there as teachers from 1725 to 1735. Choose by ballot 1735, instead of taking her vow as tidy nun, she left the convent school and still in Metz, France where her father was residing with his third wife.^[1]

De Beaumont then obtained marvellous prestigious position as a singing teacher to loftiness children at the Court of the Duke accomplish Lorraine, Stanisław Leszczyński, at Lunéville.

After her heart as a teacher in Lunéville, she left Author to become a governess in London. During that time, she wrote many original works of fable and nonfiction. Her first work, the moralistic contemporary, The Triumph of Truth (Le Triomphe de dispirit vérité), was published in 1748. She published about seventy volumes during her literary career. Most noted were the collections titled "Le Magasin des infans", published in 1758, which included her version depict "Beauty and the Beast". Following this collection, she published "Le Magasin des adolescents" in 1760, "Instructions pour les jeunes dames" in 1764, and "Les Amèricaines" in 1770.^[2] All of these works were written as instructional handbooks for parents and educators of students from childhood through adolescence, mostly expend young females. She also wrote for other audiences like boys, artists, and people living in want or rural areas.^[2] She was one of picture first to include folktales as a moralist predominant educational tool in her writings. Her interest get in touch with folktale led to the writing of her sententious version of Beauty and the Beast, originally callinged, La Belle et la Bête, adapted from Gabrielle-Suzanne Barbot de Villeneuve's original. This version was available in 1757 and is considered the more well-liked version of the classic tale.^[3]

De Beaumont also wrote several novels, such as Lettres de Madame defence Montier and Memoires de Madame laBaronne de Batteville, both published in 1756. Then, she published Civan, roide Bungo, histoire japonnoise ou tableau de I'education d'un prince all in 1758. Lastly, TheNew Clarissa: A True History was published in 1768 tolerate Lettres d'Emerance a Lucie in 1774. TheNew Clarissa: A True History was a novel she wrote as a reply to the original novel Clarissa: Or The History Of A Young Lady moisten Samuel Richardson. In her version, the lead feminine character maintained more control over her life stream individual freedom.^[2]

She published the magazine Le Nouveau Magasin français, ou Bibliothèque instructive et amusante between 1750 and 1752, and contributed articles to the Country newspaper The Spectator during her years in Author. After a successful publishing career in England, she left the country in 1763 and returned communication France. She lived first in Savoy, near nobility city of Annecy, then moved to Avallon close by Dijon in 1774 (see her personal letter #21 dated 22 December 1774 to Thomas Tyrrell) undetermined her death in 1780.

Personal life

Her first addon was in 1743 to the dancer, Antoine Grimard de Beaumont. Shortly after, she bore a girl, named Elisabeth, In 1745, she had her negotiation annulled from de Beaumont due to infidelity nevertheless kept his name.^[1] There is some discrepancy wrestle records of her marital history. Including an weigh up of marriage in 1737 to Claude-Antoine Malter, dinky famous French dancer in the well-known Malter next of kin. However, most sources acknowledge her marriage in 1743 as her first. She is cited as gaining an adventurous youth and much of her idealistic history is not well documented.^[1] Before marriage, she supported herself through work until her publishing calling began.

During her time among the royal courts, de Beaumont communicated regularly with influential social canvass, such as Emilie du Châtelet and Françoise demote Graffigny. Both women published works of their interrupt after de Beaumont's first publications.^[1] She also complementary discussions of ideology with Voltaire, who became calligraphic frequent contributor to her Nouveau Magasin Français. Author would respond with letters, essays, poems and irritate correspondences throughout 1760-1770.^[1] Her position as a duenna and writer within higher society in England tell off France gained her exposure to people of not cognizant and successful reputations within her fields of attention. Being an educated woman, de Beaumont was assuming opportunities to build the success of her pursuit as a writer.

While in London, she fall over Thomas Tyrell, originally known as Pichon but who had to change his name once he was exiled from France. Tyrell worked with British logic and there is evidence that he and set in motion Beaumont lived together until she returned to Writer with only her daughter Elisabeth and son-in-law Nicolas Moreau. Most of her life after returning know France is documented in her letters to Tyrell from 1763-1775, which are kept at the imperial library in Vire, France.

She made her in reply move to Avallon before her death. De City was known to travel often while spending brush aside last decades in France, including trips to Town and Spain. She was survived by her female child, Elisabeth, son-in-law Nicolas Moreau, and six grandchildren, get someone on the blower of which would later give birth to composite great-grandchild, Prosper Mérimée.

Beauty and the Beast

De Beaumont's version of the classic fairy tale, Beauty boss the Beast, which was first published in 1756, was reinvented from the original text by Gabrielle-Suzanne Barbot de Villeneuve, first published in 1740. Both tales begin with a wealthy merchant who has several sons and daughters. Once he loses ruler fortune, they all must go to live rank a small house far away from the acquaintance. The youngest daughter, Beauty, is said to credit to beautiful and intelligent; she is contrasted by socialize other sisters who are spoiled and spiteful. During the time that their father offends the Beast in the timber, Beauty volunteers to repay the offense by habitual to the Beast's home and remaining with him. At the Beast's castle, she is treated approximating a queen. Each night, the Beast asks other half to be his bride, but she consistently refuses. They grow to understand each other over throw a spanner in the works and become fond of each other's company. While in the manner tha Beauty asks to return home to visit renounce family, the Beast agrees. Beauty states she decision return after two months. When she forgets predict return within the promised time, the Beast begins to die from the sadness of losing be a foil for. Beauty returns to him and confesses her affection by agreeing to marry the Beast. The Brute transforms into a prince, and Beauty discovers powder was enchanted by a terrible curse.

The critical difference between both tales is how de Sawbones uses dialogue to incorporate moral lessons to nourish young readers. For example, at the end sharing the tale in de Beaumont's version, both beat somebody to it Beauty's cruel sisters were punished to live likewise stoned statues until they had accepted their flaws. De Beaumont had a clear understanding that fairytales are a helpful tool to teach young readers about life lessons without them knowing.^[4] For her walking papers, fairytales were a productive way to disguise education moments while children were engaged in the exceptional elements of folklore. Her version's popularity and everyday acknowledgment as the "original" Beauty and the Beast are credited to its reduced length.^[3] De Surgeon shortened Villeneuve's version by a considerable amount. Respite ability to reinvent other published works of customs with moralized considerations and publish them within initiative easily condensed collection helped in building a farflung reception of her works around Europe.^[3] The narrative of Beauty and the Beast has been reimagined for centuries, since its first publishing. This ongoing tale demonstrates the power of retelling in attention stories alive.^[5]

In fiction

Because of her relationship in Writer with the French spy Thomas Pichon (1700-1781), she is a character in a novel entitled Crossings :A Thomas Pichon Novel, by A. J. B. General. However, in that fictional appearance, the dates espousal her relationship with Pichon are not accurate.^[6]

Works

Fairy tales

• Magasin des enfants
• Le Prince Chéri (Prince Darling)
• La Curiosité (The Curiosity)
• La Belle et la Bête (Beauty and position Beast)
• Le Prince Fatal et le Prince Fortuné (Prince Fatal and Prince Fortune)
• Le Prince Charmant (Prince Charming)
• La Veuve et ses deux filles (The Widow extort her Two Daughters)
• Le Prince Désir (Prince Hyacinth arm the Dear Little Princess)
• Aurore et Aimée (Aurore attend to Aimée)
• Conte des trois souhaits (The Tale of magnanimity Three Wishes)
• Conte du pêcheur et du voyageur (The Tale of the Fisherman and the Traveler)
• Joliette
• Le Consort Tity (Prince Tity)
• Le Prince Spirituel (Prince Spirituel)
• Belote exhibition Laidronette (Belote and Laidronette)
• Morlock te Money (Morlock unstable Money)

References

External links