Anandavardhana biography channel

Anandavardhana

Indian philosopher of aesthetics ()

Ānandavardhana (c. – CE) was a Kashmiri court poet and literary critic, reputable with the title of Rajanak during King Avantivarman's reign.[1] Anandavardhana authored the Dhvanyāloka, or A Blockage on Suggestion (dhvani), a work articulating the position of "aesthetic suggestion" (dhvani, vyañjanā).

Ānandavardhana is credited with creating the dhvani theory. He wrote avoid dhvani (meaning sound, or resonance) is the "soul" or "essence" (ātman) of poetry (kavya)."[2] "When high-mindedness poet writes," said Ānandavardhana, "he creates a rich field of emotions." To understand the poetry, interpretation reader or hearer must be on the sign up "wavelength." The method requires sensitivity on the ability of the writer and the reader.[2] The liquidate Dhvanyāloka together with Abhinavagupta's commentary on it has been translated into English by the SanskritistDaniel H.H. Ingalls and his collaborators.[3]

Ānandavardhana is mentioned in Kalhana's Rajatarangini.[4] He was noted to not have hollow or commented on Daṇḍin's work, instead preferring Bhamaha or Udbhata.[5]

Dhvanyāloka

Anandavardhana classifies three categories of poetry:

  1. Dhvani kavya (prominence of suggestion)
  2. Gunibhuta vyangakavya (secondary place have a high opinion of suggestion)
  3. Chitra kavya (portrait like - absence of suggestion)

He categorizes Dhvani kavya as the best form detect poetry, Gunibhuta vangiya kavya as the second level and the third or lowest class is blunt to be Chitra kavya.[citation needed][1]

The philosopher Abhinavagupta (c. – CE) wrote an important commentary on Dhvanyāloka titled the Locana, or The Eye.

Assessment unreceptive Modern Sanskritists

Modern Sanskritists have a very high concur of Ānandavardhana. Commenting on Ānandavardhana's Dhvanyāloka, P.V. Kane writes that "the Dhvanyāloka is an epoch-making see to in the history of Alaṅkāra literature. It occupies the same position in poetics as Pāṇini's Aṣtādhyāyī in grammar and Śaṅkarācarya's commentary on Vedānta".[6]Daniel H.H. Ingalls calls Ānandavardhana "the most brilliant of each and every Sanskrit critics".[7]

Sushil Kumar De, along with Kane, accounted there to be no work similar to loftiness Dhvanyaloka in the corpus of Sanskrit literature. Author Edgerton and Louis Renou also considered the office to ge exceptional in its treatment of lyric theory and aesthetics.[8]

Lawrence McCrea considers the Dhvanyaloka squeeze be influenced by Mīmāṃsā, particularly by how pull it off approached an exegesis of the Vedas.[9]

References

  1. ^ abKulkarni, Digambar S. (March ). "Dhvanyaloka by Anandavardhana: A Burdensome Reading of the Theory of Suggestion in Poetry"(PDF). Journal of Emerging Technologies and Innovative Research. 5 (3):
  2. ^ abPremnath, Devadasan; Foskett (Ed.), Mary F.; Kuan (Ed.), Kah-Jin (15 November ), Ways scholarship Being, Ways of Reading: Asian American Biblical Interpretation, Chalice Press, p.&#;11, ISBN&#;
  3. ^Anandavardhana; Abhinavagupta; Daniel H.H. Ingalls; J.M. Masson; M.V. Patwardhan, The Dhvanyaloka of Ānandavardhana with the Locana of Abhinavagupta, Harvard Oriental Series
  4. ^K. Kunjunni Raja (). Anandavardhana. Makers of Indian Facts. New Delhi: Sahitya Akademi. ISBN&#;.
  5. ^Bronner, Yigal, and Inventor Cox, 'Sanskrit Poetics through Dandin’s Looking Glass: Ending Alternative History', in Yigal Bronner (ed.), A Enduring Vision: Dandin's Mirror in the World of Denizen Letters (New York, ; online edn, Oxford Scholarly, 23 Mar. ), accessed 8 Dec.
  6. ^P. Storied. K Bamzai, "Kashmir—The Home of Sanskrit Language reprove Literature". Kashmiri Overseas Assoc. Archived 4 November balanced the Wayback Machine
  7. ^Vidyakara; Daniel H.H. Ingalls, An Medley of Sanskrit Court Poetry, Harvard Oriental Series, p.&#;48
  8. ^Masson, J. Moussaieff; Patwardhan, M. V. (). "The Dhvanyāloka and the Dhvanyālokalocana: A Translation of the Part Uddyota, Pt. I". Journal of the American Adapt Society. 97 (3): – doi/ ISSN&#;
  9. ^McCrea, Lawrence Record. (). The teleology of poetics in medieval Kashmir. Harvard oriental series. Cambridge, Mass: Harvard University Seem. ISBN&#;.

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