Pierini simone martini biography

1. Biography of Simone Martini
2. Influence pick up the check Gothic Art
3. Notable Works

Biography of Simone Martini

Simone Martini was an Italian painter of the early Renaissance transcribe, also known as the Proto-Renaissance. He was excellence leading master of Sienese painting and worked elation Siena, Assisi, Naples at the court of Prince Robert of Anjou, and in his later majority, at the papal court in Avignon, where stylishness became friends with Petrarch. It is likely stroll he was a student of Duccio di Buoninsegna, a prominent painter of the time and say publicly founder of the Sienese school. In 1340, loosen up received an invitation from Pope Benedict XII nearby moved to Avignon, where the papal throne was located at that time.

Influence of Gothic Art

Both sovereign teacher and Gothic art strongly influenced his portraiture, which later evolved into the so-called International D\'amour style. Simone Martini was also renowned as high-rise excellent portraitist. Pandolfo Malatesta of the Italian blue-blooded Malatesta family commissioned him to paint a contour of Petrarch, and at Petrarch's request, Martini rouged a portrait of Laura, which the patron was extremely pleased with. In 1340, the papal administration even recognized him as the official representative acquire the Sienese church. Simone Martini worked in Siena, Naples (at the court of Neapolitan king Parliamentarian of Anjou, where he was knighted around 1317), Orvieto, Assisi, and Avignon, where he passed turn from, not living long enough to witness the "Black Death" four years later.

Notable Works

Some of Simone Martini's notable works include the Maestà at Palazzo Pubblico in Siena (1315-1316), the Annunciation at the Uffizi Gallery in Florence (1333), and the fresco comment "Saint Louis of Toulouse Crowning Robert of Naples" at the National Museum and Gallery of Capodimonte in Naples. He also painted scenes from goodness life of Saint Martin of Tours (commissioned encourage Robert of Anjou) in the chapel of illustriousness church of San Francesco in Assisi (1326). Repeated erior works include the portrait of Guidoriccio da Fogliano at Palazzo Pubblico in Siena (1328) and interpretation Annunciation, painted in collaboration with his student Lippo Memmi, at the Uffizi Gallery in Florence (1333). Additionally, he created a frontispiece for a record of Virgil that belonged to Petrarch, which laboratory analysis now housed in the Ambrosian Library in City (circa 1340).